. scribblepeep
eduard - iulian
compiled below
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it is organized chronologically by year to facilitate navigation and to foreground shifts in creative judgement and conceptual orientation over time. each year is listed individually below as well, for ease of access to the corresponding body of work produced during that period: 2026, -
for visual resonance,
to provide a more direct and holistic overview of the stylistic and technical approaches of my projects, a gallery exists, containing all visual assets used across the archive's entries.
the contributions
generated through the sale of original paintings belonging to the here present projects intend to demonstrate the feasibility of turning personal principle into practice.
funding
the long-term objective of this model is the stabilization of a consistent 100% donation rate for all sold paintings, objective contingent upon the continued development and consolidation of alternative funding mechanisms intended to sustain the production of future artworks.
at the time of writing, between 50% and 100% of the monetary value of each work is allocated to external initiatives and causes - documented within this registry - selected either through personal discretion or in consultation with the buyer, and are and remain otherwise independent from my activity.
a larger scope
of my body of work is the contribution to a deliberate repositioning of traditional plastic arts away from elite institutional frameworks and toward broader public accessibility and closer to regular folk.
these resources, seen through this lens, may then be observed as truly potent tools for social transformation and political engagement, as well as instruments for true cultural documentation.
by foregrounding engagement with non-elite audiences, creative expression seeks to challenge prevailing structures of cultural ownership and to reassert artistic production as a shared resource rather than a privileged commodity.
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strategies recognize, in their existence, the practical necessities of creating an income flow that guarantees the continuation of creative expression and freedom.
for those who wish to engage through consumer-oriented channels, they may find a commercial avenue here:
they have, however, been crafted in ways that do not harm personal ideological integrity or ethical foundations.
redbubble - deriving from prints of my designs in various purchasable forms.
direct support, without the presence of a buyer-seller dynamic, is more than welcome in the shape of donations through the below platforms:
it is thanks to you only that my activity may continue.
[redacted]
`` under development ``
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channels of contact
direct contact is particularly appropriate in contexts involving:
desire to acquire a painting
initiation of collaborative initiatives
provision of feedback or critical evaluation (explicitly welcomed and regarded as contributory to the ongoing development of the practice)
communication initiated for purposes beyond these contexts is likewise encouraged, insofar as it contributes to dialogue, reflection, or engagement with the work:
" few of us [others] can begin to imagine the horror that is you [,human] - with all creation reflected in your forebrain. ... the highest of hells. "
is an archive of all projects, encompassing paintings and designs - and on occasion, accompanying texts. this repository functions as the central structural node of the digital ecosystem that stores and displays my work.
are maintained persistently in order to encourage dialogue and enable exchange.